Caitlyn Lawler//Yesterday’s Clouds

On view in The Nook from Feb 28 - April 11, 2026

Email info.thenookstl@gmail.com to make an appointment to see Caitlyn’s project

Caitlyn Lawler

Yesterday’s Clouds, 2025

Flashe and Oil on Canvas and Handsewn with Poly-Fil

13 x 14 x 3.5 inches

Caitlyn Lawler (She/Her) is a practicing artist, writer, educator, and administrator based in St. Louis, Missouri. Caitlyn received her M.A. in Art History from the University of California Riverside and her M.F.A. in Studio Art from Claremont Graduate University. Her work has been exhibited at Monte Vista Projects, Los Angeles, California; Northern Illinois Art Museum, DeKalb, Illinois; Harper College, Palatine, Illinois; and Santora Space, Santa Ana, California, and her writing has been featured in 60 Inches from Center.

About Her Work:

Caitlyn Lawler’s practice operates as an inquiry into the conceptual and material limits of painting to include two and three-dimensional forms and installations. Her works often contend with impermanence, affect, and sensation as they pertain to lived experiences. Through introspective and irreverent compositions, she employs a range of methods from thick, gestural brushstrokes made to abstracted color fields to construct a visual dialogue that draws from moments of loss, tenderness, abjection, and pleasure.

You can find more of Caitlyn’s work at:

https://www.clawler.com/

https://www.instagram.com/caitlyn.lawler/

Email info.thenookstl@gmail.com to make an appointment to see Caitlyn Lawler’s project

About Yesterday’s Clouds:

This work is part of an ongoing series of soft paintings, unbound from rigid stretcher bars and taut surfaces and instead taking the form of intimate and familiar domestic objects. Like a pillow, they are meant to be held. Something to clutch, to hug, to rest upon. To soften is to become vulnerable to affect. To lean into tenderness, ambiguity, and care as subversive acts. Yesterday’s Clouds emphasizes what is often dismissed as feminine through decoration, pattern, color, and small scale, creating space to unsettle rigid identities and hardened logics. Softness opens room for grief, desire, joy, and vulnerability. This work, along with others in the series, asks what and who we hold onto in times of loss and how care itself can become a radical gesture. By replacing surface tension with give, monumentality with touch, and distance with intimacy, these works explore interiority as a site of quiet resistance.